From Red Motorcade to grand reception: How royal wedding paid homage to Jordanian, Saudi culture

From Red Motorcade to grand reception: How royal wedding paid homage to Jordanian, Saudi culture
The motorcade traveled from Zahran Palace to Al-Husseiniya Palace. (AN photo)
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Updated 02 June 2023
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From Red Motorcade to grand reception: How royal wedding paid homage to Jordanian, Saudi culture

From Red Motorcade to grand reception: How royal wedding paid homage to Jordanian, Saudi culture

DUBAI: The Middle East’s newest power couple, Jordan’s Crown Prince Hussein bin Abdullah II and Saudi Arabia’s Rajwa Al-Saif, tied the knot on June 1 in a ceremony and following reception that was filled with nods to both Jordanian and Saudi history, heritage, and customs.

Getting married days before the 30th wedding anniversary of the groom’s parents, King Abdullah II and Queen Rania, one of the biggest royal events in Jordan since 1993 began with an elegant wedding ceremony in the manicured gardens of Zahran Palace.

The Saudi bride arrived at the palace in a 1968 Rolls-Royce Phantom V, custom-made for the late Queen Zein Al-Sharaf, the crown prince’s great grandmother.

After the religious ceremony, the couple took part in a royal motorcade procession through the streets of Amman, waving to cheering crowds as they headed to Al-Husseiniya Palace for the grand reception.

The Red Motorcade, as it is officially known, has its roots in the era of King Abdullah I, the founder of Jordan, who would arrive at significant national events atop one of a procession of white horses, accompanied by riders dressed in dark blue trousers and red blazers.

The motorcade consisted of eight bright red armed Land Rover vehicles and 11 motorcycles, but on special occasions, horse and camel riders join the line-up and the Jordanian Armed Forces Band plays military music on bagpipes.

The Land Rovers and motorcycles cordoned the main motorcade vehicle, a 1984 Range Rover, which carried the newlyweds.

The Range Rover was especially customized for the visit of the late Queen Elizabeth II to Jordan by UK company Wood and Pickett.

During the British queen’s state visit, which took place in March 1984, the vehicle was used by the late King Hussein to drive the monarch and her husband the late Prince Philip, Duke of Edinburgh, to Petra and other locations in the south of Jordan.

The custom Range Rover, which has been dubbed the Sheer Rover, has been elongated and features a cut-off roof. New white leather upholstery has also been installed, including four individual Recaro electric seats.

Apart from the religious ceremony, the wedding reception also incorporated Jordanian and Saudi design elements.

The crown prince and his bride were greeted by the customary zaffeh, a lively musical procession featuring drums, bagpipes, singing, and clapping.

The smiling couple were then led to the outdoor reception courtyard by a rousing military zaffeh performed by the Jordanian Armed Forces Band, sporting the traditional red and white headdress and dress uniforms.

Guests entered the reception on a path that evoked the Jordanian desert, featuring a 20-meter-long handwoven traditional Bedouin rug, created by the Bani Hamida Women’s Weaving Project in the village of Mukawir in Madaba.

Inside, guests were greeted by the sight of native olive trees surrounded by a dune-like display of dates, which represented both Jordanian and Saudi cultures, an ode to the newlyweds’ home countries.

The venue featured an installation of five large-scale mesh arches, inspired by the architecture of the palace and the desert landscape of Jordan’s Wadi Rum.

Meanwhile, guest seats were adorned with traditional embroidery patterns, handstitched by female artisans from Al-Karma Embroidery Center and the Jerash Women Charitable Society – established to empower local women and promote traditional handiworks.

Tables were made from natural Madaba stone and decorated with hand-blown glass vases and traditional clay pottery made by local artisans.

The decor also incorporated hand-hammered basalt stone from the north of Jordan and local seasonal flowers such as jasmine. Other design elements paid homage to Jordan’s wheat-harvesting season, which is in full swing, with elements reimagining the traditional threshing board used to shred wheat and release its grain.