DUBAI: Cinema returned to Saudi Arabia just three years ago, when a 35-year ban was finally lifted. Since then, movie theaters have been springing up across the Kingdom, invigorating the domestic film industry and inspiring a growing cast of homegrown actors.
One rising star of modern Saudi cinema is Sumaya Rida, known for her breakout television roles in “Another Planet” and “Boxing Girls” and big-screen appearances in “Junoon” and “Roll’em” — among the first films to premiere in the Kingdom after legalization.
From early childhood, when she began performing in school plays, Rida knew what was her true calling. “I also used to make short films with my little sisters and brothers using my father’s Sony camera,” Rida told Arab News.
“I actually acted and directed short films when I was 12 years old. I loved how the whole family would gather to watch what I made, and to me it meant the whole world at that time, and filled me with passion.”
Saudi-born actress Sumaya Rida moved to the UK as a teenager to attend the King Fahad Academy, an elite independent school in the London borough of Ealing. (Josselyn Ramirez)
The Saudi-born actress moved to the UK as a teenager to attend the King Fahad Academy, an elite independent school in the London borough of Ealing. Even while completing an MSc in international marketing management at the University of Surrey, Rida kept up acting on the side, appearing in several commercials.
Following her studies, she spent five years in the world of business, but all the while felt a profound longing for the stage and screen. It took a chance encounter to set her on the right track.
“After working so much in the ruthless business world, I stumbled one day on Ali Al-Sumayin, a well-known, award-winning Saudi film and commercial director, who led me to the world of performing again,” Rida said.
While visiting Al-Sumayin at his office in Jeddah in 2017, Rida took part in an acting class. The familiar adrenaline rush of performing before an audience quickly came flooding back.
“I can’t describe the feeling,” she said. “I had a lot of butterflies in my stomach that day and I had this nostalgic feeling.”
Soon enough, Rida had recorded an audition and landed her first role. To prepare, she signed up for an intensive four-month acting course and one-to-one coaching with respected Turkish instructors, as advanced acting courses were not yet available in Saudi Arabia.
“In the Kingdom, we didn’t have any institutions for acting or performance training, so I had to do it the fast way,” Rida said.
“Every actor should have mentors, because they always direct you and show you different perspectives.”
From early childhood, when she began performing in school plays, Rida knew that acting was her true calling. (Josselyn Ramirez)
Today, Rida performs in both English and Arabic. For one show she had to master the bedouin accent. “It was a bit challenging in the beginning, but it was fun,” she said.
Her latest project is a movie called “Rupture,” a Saudi-made psychological thriller directed by Hamzah Kamal Jamjoom, produced by Ayman Kamal Khoja and funded by MBC Studios.
Playing the lead, Rida portrays the journey of a Saudi woman struggling to save her marriage, and ultimately her life, from a villain with a twisted mind.
“I played against Billy Zane from ‘Titanic’ who is both a wonderful human being and a tremendously talented actor,” she said.
“The movie intelligently incorporated a few powerful themes in its thrilling narrative. One of these was about standing up for your own cultural values, even when relocating to another country.
“Another was about the importance of privacy and the dangers of oversharing on social media, and the third was about the concept of striking a balance between co-dependency and individual freedom in a marriage.”
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For Rida, the most important part of the project was having the opportunity to play a strong, independent Muslim woman, standing up for herself, her family and her beliefs.
“It is honestly an honor and a rare opportunity to work with such gifted Saudi filmmakers and producers on this project,” she said.
“I’ve enjoyed Hamzah’s direction. His positive energy and passion were infectious. We will hopefully finish filming after Ramadan. I can’t wait to share this film. I’m excited because it’s one of the very few Saudi feature films that recognizes the struggles of Saudi women.”
The strict social codes and gender segregation of a much more conservative era meant that Saudi actresses were rare when Rida was growing up. Support from her family has been crucial, but so has been the opening up of Saudi society.
“The timing was very good because I started when Vision 2030 was taking place and I was going with it,” Rida said.
Under the Vision 2030 plan to diversify Saudi Arabia’s economy away from oil, the Kingdom has placed greater emphasis on the arts, opportunities for young people and the social and economic empowerment of women.
Saudi Arabia has placed greater emphasis on the arts and opportunities for young people, and lifted a 35-year ban on cinemas in the Kingom three years ago. (AFP/File Photo)
As a result, Saudi women are finding their voices and discovering their strengths — a journey Rida says she found key to becoming a professional actress.
“This helped me to understand myself. I wanted to tell stories. We have a lot of stories here in Saudi Arabia, and I wanted to feel, to be able to emote, to risk and share, and to be courageous and vulnerable as an artist. This is very fulfilling.
“The real fulfilment also lies in overcoming all the limitations that have been placed on humanity.
“I discovered that performing is a very fun thing. It’s very nurturing, fulfilling and it feeds the soul and your inner self.”
As an artist, Rida is still on a journey of self-discovery and building her confidence on camera. She hopes to try new characters, to help her develop “naturally and sincerely, because acting is a continuous process — we keep learning and evolving constantly.”
As for her country, Rida says she is thrilled to see so many changes taking place and to be part of a new wave of young actors and filmmakers shaking up the Saudi film industry. “This makes me very happy and optimistic,” she said, but acknowledges there is still a long way to go.
As investment into nurturing talent in the Kingdom grows under Vision 2030, Sumaya Rida believes the future of Saudi filmmaking is a bright one. (AFP/File Photo)
“I see very passionate actors every now and then, but I really believe that we need to work on ourselves more than we think. It’s not just getting a degree in performing or acting and that’s it — it’s a continuous process.”
Rida also hopes to see more young Saudis coming forward to share their stories with the world. “We need to not only invest in actors but invest more in writers, producers and directors, because it’s not the job of one person alone,” she said.
“Acting is not only the actor you see on the screen. Behind that there is a huge production.”
Without investment, training and opportunities, this potential cannot be mastered. The raw ingredient, nevertheless, is talent — of which the new Saudi Arabia has in abundance.
“It’s unlimited,” said Rida. “It’s infinite and it keeps evolving.”
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Twitter: @CalineMalek
